SONY FE f2.8 PRIMES: Back in late March, Sony unveiled a trio of compact prime lenses that were similar in size and design and notable…
Posts published in “Reviews”
TAMRON 28-75MM F2.8 Di: Tamron’s second-generation, standard-range zoom lens has a constant f2.8 maximum aperture and lighter weight than its predecessor. It’s a pleasure to…
FUJINON GF 63MM F/2.8 R WR: The standard prime lens for Fujifilm’s medium format cameras is compact, capable and competitively-priced. It’s fast enough to be…
FUJIFILM GFX 50S Mark II: The second edition of Fujifilm’s GFX50S medium format camera introduces in-body image stabilisation (IBIS), a built-in EVF and a new processor. It’s an excellent addition to Fujifilm’s medium format line-up and a welcome evolution of the 50-megapixel category. It also carries the lowest RRP on release of any medium format camera sold in Australia.
An update to the DC-GH5, the GH5 Mark II is the first model in Panasonic’s G series to introduce high-quality wireless live video streaming plus expanded video capabilities. Most purchasers will be professionals who shoot video for a living, although high-end video enthusiasts could also find it represents good value for money.
NIKON Z fc: Nikon goes retro again with the Z fc, a new APS-C Z-mount camera styled after the classic Nikon FM film SLR and…
SONY FE 35MM F/1.4 GM: A compact, moderately wide-angle lens with comprehensive weatherproof sealing, sophisticated autofocusing and an 11-blade iris diaphragm that creates creamy background…
Sony’s new flagship mirrorless camera combines a 50-megapixel BSI CMOS sensor with dual BIONZ XR processors to deliver high-resolution stills and 8K 25p video. Professional photographers who use Sony equipment, shoot a wide range of subjects and need to record both stills and video should find the Alpha 1 meets their requirements - at a high cost.
A versatile on-camera flashgun with extensive weather sealing, a maximum GN of 60 (ISO 100/m) and the ability to fire up to 170 full power flashes in sequence without overheating.
A smaller, lighter and more affordable alternative to the RF 70-200mm f/2.8L IS USM lens but also an excellent performer. It represents a wise choice for photographers who don’t need the one-stop advantage the f2.8L lens, as well as those looking for a more portable lens for hand-held shooting.