How good are Inside Imaging readers! Here on the top floor C-Suite at the vast Inside Imaging publishing compound, we are proud that we have…
Posts published in “Opinion”
We gave the launch of the inaugural Photo 2021 International Festival of Photography exhibition program the editorial coverage it warranted a few weeks back, but…
Gary Pageau, publisher of US-based photo business website, The Dead Pixels Society, made some astute observations on the demise of Photokina which we re-publish, with…
Having lost the support of both the state and federal government arts grants administrators, and having operated with punishing losses over the past several years even while enjoying government support, the Board of the ACP had little choice but to shutter the once-seminal institution.
In 1937, Anne Fischer, a young Jewish refugee, fled Nazi persecution and travelled via Palestine, Italy, Greece and England to South Africa. There she established…
While the internal report commissioned by Eastman Kodak Company, Regarding the events surrounding the US International Development Finance Corporation Letter of Interest, exonerates everyone involved, the company it describes is not one any responsible government would loan a billion dollars to.
It comes as no secret that the ankle-tap that Covid-19 has had on the wedding industry is significant. In fact, it’s been huge. At the beginning of the pandemic, I watched on in horror as the company I founded, Album Registry, came to an overnight halt - literally.
Drones have changed how we see the world. Even more profoundly, drones have transformed how we witness the world: how we decide the events that…
Louis-Napoléon Bonaparte, ruler of France from 1848 to 1870, was 'the most enthusiastic supporter of photography in all of Europe'. He stocked his libraries with countless photographs of bridges, parks, army camps, railways, and palaces. These structures were his most important achievements and he commissioned a panoply of photographers to celebrate them.
For many years I have been interested in what happens to photographers’ whole of life archives — only a fraction of which will be accepted for gift or purchase by large public collections.