Perhaps the clearest 'leading indicator' of the future direction of the camera market is that in 2019, with over 40 cameras announced to date, there were only four new DSLRs. Looks like DSLRs won't be playing much of a role in that future.
Posts published in “Opinion”
Inside Imaging is delighted to announce that Jeff Moorfoot (OAM), founder and retired creative director of the Ballarat International Foto Biennale (BIFB), is finally being acknowledged on the BIFB website as the founder and inaugural creative director of the event.
It ain't much, but BIFB's About Us section has a new sentence, which says: 'Its Founding Director, Jeff Moorfoot OAM received an Order of Australia Medal for services to photography'. Jeff's instrumental role in creating the Ballarat Foto Biennale has gone curiously unacknowledged under the control of new BIFB creative director Fiona Sweet.
Political campaigns make many strategic calculations when it comes to photographs of party leaders. Canadian voters look for specific personality traits in party leaders, such as honesty, intelligence, friendliness, sincerity and trustworthiness, and so using image management techniques can help create the impression that leaders possess these qualities.
In 1955, an enormous photographic exhibition, The Family of Man, challenged the world as to what it meant to be human. The curator, Edward Steichen, assembled 503 photographs by 273 photographers from 68 countries, while his brother-in-law, the poet Carl Sandburg, provided the lyrical subtext to the show and its title. In some ways, this new vast exhibition, Civilization: The Way We Live Now, a version of which has just opened at the National Gallery of Victoria, catches the flame of the challenge of The Family of Man with its dreams of humankind living on a rapidly shrinking globe.
The show brings together over 100 contemporary photographers from Africa, Asia, the Americas, Europe and Australia with over 200 photographs.
The eighth Ballarat International Foto Biennale (BIFB) has served up an intriguing assortment of exhibitions for its Core Program, which attempts to 'renegotiate photography' by ambitiously incorporating other artistic mediums into the event. Many attendees visit with a thirst for printed photos, a quench that's difficult to satisfy these days. This year photography appears alongside sculptures and installations, video art, non-photographic prints, and a few other bibs and bobs.
Why the ACCC’s Digital Platforms Inquiry could see photographers sleepwalking into image-sharing danger If you’re up to date on the trials of Facebook and…
In September 2016 my photography agents, Vaughn-Hannigan, abruptly closed their doors after 10 years in business. Since then I have been without an agent, representing myself, and I thought I would look back and ask the question which has been lingering with me through this time: to agent or not to agent?
Before media organisations and professional associations publicly cut ties with Gold Walkley Award-winning Australian photojournalist Andrew Quilty due to allegations of 'inappropriate behaviour', there should have been an investigation to verify and flesh out the details.
It comes across as mean-spirited, unfair and lacking any transparency for media organisations to announce their draconian punishments against Andrew Quilty without providing the most basic details of the accusations, or flagging any further investigation into the claims on which those punishments are based.